Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork.  Related Paintings of VELAZQUEZ, Diego Rodriguez de Silva y :. | Detail of Filipu | Court Dwarf Don Antonio el Ingl s set | The Woman Fry eggs | The boy | Christ in the House of Mary and Marthe r |
Related Artists:
Taddeo di Bartolo
Italian Gothic Era Painter, ca.1362-1422 Italian painter. Taddeo, son of the barber Bartolo di Mino, was under 25 in 1386 when he was first recorded, painting statuettes of angels for the new choir-stalls in Siena Cathedral. In 1388-9 he was a counsellor to the Cathedral Works and in 1389 he was first listed as an independent painter. His earliest dated work is the polyptych of the Virgin and Child with Saints (1389; sold London, Christie's, 8 Dec 1950), painted for the chapel of S Paolo at Collegarli, near San Miniato al Tedesco.
DOBSON, William
English Baroque Era Painter, ca.1611-1646 English painter. His father, William Dobson, was a gentleman of St Albans employed by Francis Bacon, Viscount Verulam, on the building and decoration at Verulam House and Gorhambury; he was also probably Master of the Alienation Office and a member of the Painter-Stainers' Company, but according to John Aubrey, 'he spending his estate luxuriously upon women, necessity forced his son William Dobson to be the most excellent painter
Sebastiano Conca
Italian Baroque Era Painter , 1680-1764 was an Italian painter. He was born at Gaeta, then part of the Kingdom of Naples, and apprenticed in Naples under Francesco Solimena. In 1706, along with his brother Giovanni, who acted as his assistant, he settled at Rome, where for several years he worked in chalk only, to improve his drawing. He was patronized by the Cardinal Ottoboni, who introduced him to Clement XI, who commissioned a well-received Jeremiah painted for the church of St. John Lateran. Conca was knighted by the pope. He collaborated with Carlo Maratta in the Coronation of Santa Cecilia in the namesake's church of Santa Cecilia in Trastevere (1721-24). He was elected in 1718 to the Accademia di San Luca and its director in 1729-1731 and 1739-1741. His painting was strongly influenced by the Baroque painter Luca Giordano. Among Conca's pupils were Pompeo Battoni, Andrea Casali, Placido Campoli, Corrado Giaquinto, Gaetano Lapis, Salvatore Monosilio, Literio Paladini, Drancesco Preziao, Rosalba Maria Salvioni, Gasparo Serenari, and Agostino Masucci, He received widespread official acclaim and patronage. He worked for a time for the Savoy family in Turin on the Oratory of San Filippo and Santa Teresa, in the Venaria (1721-1725), for Basilica di Superga (1726), and Royal Palace (1733). He painted frescoes of Probatica, or Pool of Siloam, in the Ospedale di Santa Maria della Scala (hospital) of Siena. In Genoa, he painted large allegorical canvases of the Palazzo Lomellini-Doria (1738-1740). In 1739, he published a guide to painting: Ammonimenti (or Admonishments), which blended moralistic advice with technique. He returned to Naples in 1752, and enjoyed the royal patronage of Charles III.